Monthly Archives: January 2011

News

Easons Online Book Club Prompts Instore Section

The hugely popular Eason’s Book Club, which is based online, primarily in Facebook, has prompted the bookseller to create a special in store offering, the Bookclub Choice.

According to the company, the ‘Bookclub Choice is an exciting new initiative’ which features books that ‘have been carefully chosen to appeal to a wide range of readers, and especially bookclubs and their members.’

The selection of titles will change each month with a balance between classics and new titles. Stephen Boylan, Books Purchasing Manager Eason said that, ‘more titles will be added to the promotion as they are published.’

The online book club now has some 6,000 Facebook fans rivaling the larger Bord Gais Energy Book Club which has a TV tie in with TV3.

The full list of the titles included in the first selection is below:

The Postmistress ~ Sarah Blake
Particular Sadness of Lemon Cake ~ Aimee Bender
Saints & Sinners ~ Edna O’Brien
When God Was a Rabbit ~ Sarah Winman
Room ~ Emma Donoghue
The Long Song ~ Andrea Levy
The Help ~ Kathryn Stockett
Started Early Took My Dog ~ Kate Atkinson
Freedom ~ Jonathan Franzen
The Privileges ~ Jonathan Dee
Let the Great World Spin ~ Colum McCann
One Day ~ David Nicholls

Comment & Features

Opinion | The Differential Rates Of Change Problem

There’s an issue I’ve been exploring on this blog and elsewhere for some time. It’s about digital change and what it does to large and small markets, especially when the rates of change in these markets differ. I’ve called it the differential rates of digital change problem and I think it is time I put a solid definition on it.

So here it goes. The Differential Rates Of Digital Change Problem occurs:

When a large publishing market undergoes a more rapid shift towards digital delivery and consumption of books than a smaller publishing market.

This change has many significant implications but the three I want to focus on here are:

  • Rights pressure on small market publishers
  • Sales pressure on small market publishers
  • Growing disparity between ACTUAL digital change in small markets and OBSERVABLE digital change

Let’s look at these one by one.

Rights Pressure
I’ve highlighted how larger market publishers increasingly have an incentive to acquire global digital rights in works, whereas, as of yet, smaller market publishers have little incentive to hold on to those rights, though they know that in the future they will need them. I’ve pointed to one possible way to meet both needs here.

Sales Pressure
This is almost a bigger deal for small markets. And it has a few forms.

  1. Digital sales of titles not necessarily available in the smaller market to customers in the smaller market recorded as sales in larger markets (eg Kindle Sales to Irish customers via Amazon.com or .co.uk)
  2. Digital sales of titles available in smaller markets physically AND digitally but made through sites that record those sales in the larger market (eg titles published by local publishers or foreign publishers available on Amazon.com Kindle store)
  3. And of course, if a small market publisher sells global digital rights to a book they publish, then the digital editions of locally published books will sell through the larger market
  4. The quietest form is of course digital sales to residents who have retailer accounts in other territories, ie English Address for Amazon.co.uk Kindle sales (small I’d wager but without the stats who knows)

These sales are starting, slowly but surely, to leak sales from small markets to large markets. The levels are unquantifiable right now in anything but the most sketchy way, but they are surely growing with each Kindle,  Kobo reader, iPad, iPod Touch, iPhone and Android device sold into a small market. The proliferation of devices offering ebooks sold through large market retailers  MUST be driving sales from those markets. When those retailers start sharing their data (and how likely is that) we will know for sure.

Over time the sales impact will become pronounced, especially if the small markets don’t develop a local infrastructure for selling ebooks. Imagine for instance if all digital sales in Ireland were made through Amazon, Apple, Google and Kobo with maybe a small share for the rest? If the system remains as now, no digital sales will ever be recorded and the market for books will shrink dramatically OR at least  it will seem to.

Actual Vs Observable Data
This is a bigger issue than it sounds like and is deeply relevant. As digital change moves on, small markets get a false idea of how rapidly their market is shifting, or at least publishers native to that small market do. If sales are happening in the estores I’ve already highlighted then the local market doesn’t see them. If 20% of the market shifts to digital, but buys its books from foreign retailers, then the market will fall by 20% and it would still look like digital has no presence.

Clearly there are offsets here. For instance, if a local publisher starts putting their titles on those outlets they will start selling books and will realize that the digital shift is ALREADY happening, or perhaps they will realize that even if it isn’t happening, they can sell some of their books to a global customer base.

What’s more, local offices of large publishers (quite a few of which exist in Ireland) will be able to see their rising ebook sales through their corporate parents and will know well enough how quickly digital sales are growing.

But even so, the data for the smaller market as a whole will be fractured and patchy, controlled by outside forces whose good will cannot be relied on and all the time digital will seem, because there is little reliable evidence to the contrary, to be a marginal market.

In this strange  scenario, local publishers remain unwilling to invest in digital because they feel the market is small but equally the market to them remains small because they have not even invested to get a few titles digitized and for sale on these foreign platforms. The only way to see beyond the apparently tiny size of the market is to take the leap and invest a small amount, but companies, in the absence of data, are rightly reluctant to do so.

Conclusion
So there it is, the Differential Rates Of Digital Change Problem. It’s not a problem for larger publishing markets of course and I don’t see any real way of addressing it until figures for digital sales begin to be shared more freely by the large companies like Apple, Amazon and Google who are not really minded to share it.

The only way beyond it is to accept on faith that digital is growing in smaller markets but in hidden ways, then to step beyond that and start offering your products digitally. This doesn’t have to be a huge investment (and if you doubt that, spend some time online reading about ebook creation from text files) but it does need to happen and it needs to happen soon.

Briefly Noted

Briefly Noted | Borders delays payments to conserve cash | Reuters

Reuters – Bookseller Borders Group will conserve cash by delaying its January payments to vendors and landlords as it tries to complete a debt restructuring, the company said on Sunday.

via Borders delays payments to conserve cash | Reuters.

News

IPN Friday Five Quiz ~ 006

[mtouchquiz 6]

|Image Credits|
Attribution
Some rights reserved by Horia Varlan

News

Ebooks Outselling Paperbacks & Hardback At Amazon

Amazon has announced some pretty impressive numbers for the company as a whole, and more relevantly to Publishing, in Kindle reader and ebook sales.

Amazon.com is now selling more Kindle books than paperback books. Since the beginning of the year, for every 100 paperback books Amazon has sold, the Company has sold 115 Kindle books. Additionally, during this same time period the Company has sold three times as many Kindle books as hardcover books. This is across Amazon.com’s entire U.S. book business and includes sales of books where there is no Kindle edition. Free Kindle books are excluded and if included would make the numbers even higher.

The Company sold millions of third-generation Kindle devices with the new advanced paper-like Pearl e-ink display in the fourth quarter and the third-generation Kindle eclipsed “Harry Potter and the Deathly Hallows” as the bestselling product in Amazon’s history.

The U.S. Kindle Store now has more than 810,000 books including New Releases and 107 of 112 New York Times Bestsellers. Over 670,000 of these books are $9.99 or less, including 74 New York Times Bestsellers. Millions of free, out-of-copyright, pre-1923 books are also available to read on Kindle.

via Amazon Media Room: News Release.

There are some health warnings here though. Firstly the definition of paperback is unclear, does it mean all paperback books both mass market and trade or just one or the other? Secondly how much of this can be attributed to non-US sales, including those made to consumers in Ireland. As has been noted elsewhere, sales of Kindles and kindle ebooks from many territories outside the US are recorded on Amazon.com.

What is clear however is that ebook sales are increasing for Amazon and that they have forged an impressive business from the digital delivery of ebooks since they first entered the space in 2006.

News

Book Retail Sales Rise In December

The books, newspapers and stationery segment of retail sales saw a very modest increase in December 2010 of .2% volume and .4% in value when compared with November 2010.

However, the newly released Central Statistics Office data on retail sales in December 2010 show that overall retail sales were down 3.9% in volume when compared to December 2009 while in value terms the figure was 4.1%.

The year on year comparison for books, newspapers and stationery were much worse with value plummeting 9.3% since December 2009 and volume down 10.7%.

The comparison figures are much worse than the data from Nielsen suggested earlier this month. That information suggested that a string Average selling price of €12.38 held off the worst of the volume falls with the four weeks to Christmas finishing down only 3% on 2009.

However, that data related only to book sales reported to Nielsen, which covers only around 70% of the Irish market.

Images Credits:
Some rights reserved by steve_w

Briefly Noted

Briefly Noted | TED Blog | Introducing TED Books

Today, we’re thrilled to announce the launch of TED Books, an imprint of short nonfiction works designed for digital distribution. Shorter than traditional books, TED Books run less than 20,000 words each — long enough to explain a powerful idea, but short enough to be read in a single sitting. Books are available on the Kindle and Kindle Reader apps, and cost $2.99 each.

via TED Blog | Introducing TED Books.

News

Mercier Re-jackets Irish History Classics

Ernie O’Malley’s classic War Of Independence and Civil War titles, Raids & Rallies, On Another Man’s Wound and The Singing Flame will all be re-jacketed and reissued by Mercier Press by 2012.

The company will also re-jacket Dan Breen’s My Fight For Irish Freedom and Tom Barry’s Guerrilla Days In Ireland over the same period.

The books formed a central part of TG4′s recent documentary series about the War Of Independence, Bóthar na Saoirse, made by independent production company Blackrock Pictures.

The titles were acquired by Mercier Press when they took over the majority of Anvil Book’s publishing list in 2009.

The changes suggest the beginning of the end of the iconic imprint as the re-jacketed Ernie O’Malley titles will have Mercier Press ISBNs rather than Anvil ones.

Irish Top Ten

Irish Top Ten Week Ending 22/01/2011

Three Emma’s in the top ten, though two of them are the same person. The irrepressible Emma Hannigan has the strange but interesting feat of scoring a second week in a row of a top ten with both fiction and non-fiction, while Ireland’s new favourite (and long time Canadian resident Emma Donoghue seems to be storming ahead of the field with Room.

In many ways it’s a week for fiction though with seven of the top ten titles were fiction titles. Which makes the strength of Penguin‘s The Fitzpatrick Tapes and Jamie’s 30-Minutes Meals that little bit more impressive.

1: Room, Emma Donoghue, 2,578
2: The FitzPatrick Tapes, Tom Lyons & Brian Carey, 1,138
3: Jamie’s 30-minute Meals, Jamie Oliver, 809
4: One Day, David Nicolls, 786
5: Mistaken, Neil Jordan, 763
6: Miss Conceived, Emma Hannigan, 727
7: Talk to the Head Scarf, Emma Hannigan, 703
8: Pieces of My Heart, Sinead Moriarty, 620
9: The Help, Kathryn Stockett, 590
10: Have You Seen Her?, Karen Rose, 573

Data Supplied by Nielsen BookScan taken from the Irish Consumer Market week ending 22th Jan 2011

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